Going with the example of the song you’ve just written, let’s imagine your sister filling in with the lyrics to that song. There’s your underlying score, there’s your Music Work, and here are your author’s rights that come with. It progresses with a tune, sometimes lyrics, and then the addition of more instruments. Let’s talk about the music rights in today’s modern age, and how they related to the workflow of creating, manufacturing, and then distributing music.Ī song’s first word or hymn could transpire from a scribble of a lyric on a napkin, or a sharp strum of a guitar. This has allowed musicians to commit to music as a job or a hobby that now pays bills. Not so much to put narrow definitions and quantitative values to music, but for music to be recognised. Technology altered the way music is created, distributed, and consumed, and it was then that roles and rights of music were defined, and assigned economic value. Before the Industrial Revolution, there wasn’t a fixed definition of who has what rights, and what roles the artists had in music creation or performance, but times are different now. Music, in its purest form, stems from a spontaneous creative process and an artist’s manner of expression – open to adaptation, interpretation, participation, and enjoyment.

In all of the excitement that you bring into creating music, there will be a tendency to have skipped out on one very important step for your freshly weaved track owning it – both onstage and off it. You’ve just composed a fresh track, gone from a working title to giving it a name, shared it with your friends, and you’re already looking forward to your next creation.

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